Australian stand-up Felicity Ward has long been among the most acclaimed stand-ups regularly performing in UK venues, so it’s something of a surprise that this autumn she’s heading out on her first ever UK tour.
Following on from her previous show about depression and Irritable Bowel Syndrome, 50% More Likely to Die is her latest show, which combines a further look at mental health, depression and anxiety, as well as what happens when someone with control issues loses their stuff.
Gifted comics Adam Hess and Rhys James are currently on tour together, and even share a home, but they don’t have all that much in common when they’re in full flow on stage, besides being hotly-tipped young gag writers.
Stand-up veteran Mark Thomas returns to the Midlands with his latest tour, the third part in a trilogy of theatrical shows, called The Red Shed, which sees him celebrating the 50th birthday of a Wakefield labour club – the site of his first ever gig.
Following on from Bravo Figaro and Cuckooed, this is another show which looks more closely at his own history and life than the politicised output he’s best known for. Both of those shows were fantastic pieces of work, so it’s no shock that The Red Shed continues in a similar vein by receiving excellent reviews during its Edinburgh Fringe run in the summer.
Stand-up Sara Pascoe has long been a force on the British circuit, her singular brand of comedy fusing discussion of important topics with no shortage of silliness and filth. A potent combination, this has led to successful tours and TV appearances, and more recently a book – Animal – which focuses on feminism and the female body.
Top stand-up Sara Pascoe performs her latest show, Animal, in Midlands venues this month. Hot on the heels of publishing her book of the same title, Pascoe is appearing at Warwick Arts Centre and the Glee Club as part of her biggest tour to date.
Having embarked on their first ever full tour, sketch duo Max & Ivan (Max Olesker and Ivan Gonzalez) are most likely performing to many audience members for the first time, which seems odd given how long they’ve been a key act on the British sketch comedy scene.
Despite the numerical difference, there are certainly some parallels with one of the other leading sketch acts in the country: Pappy’s. Most notably, both have a predilection for shows which bring together multiple characters and sketches into a narrative whole. Additionally, both have intangible strengths which mean their best work is on the stage, with forays into other media not working quite as well (see Radio 4 series The Casebook of Max & Ivan, which failed to live up to their fearsome live reputation). Continue reading “Review: Max & Ivan @ Warwick Arts Centre, 25th May 2016”
After a couple of decidedly personal forays into storytelling for recent shows, the latest outing from Mark Thomas saw him return to the politicised output he’s most widely known for. Trespass, in a similar vein to his well-received 100 Minor Acts of Dissent, found Thomas in typically agitated form, perfectly equipped for performing political comedy against the backdrop of a Conservative government.
The show threw a spotlight on the topic of reclaiming land for public use, flying in the face of draconian laws introduced by local authorities and exposing injustices which, he suggested, needed to be challenged. What followed was tales of defying those authorities, making the stuff of nightmares for security guards. Continue reading “Review: Mark Thomas @ Warwick Arts Centre, 17th March 2016”