Gag merchant Milton Jones has been a mainstay of Britain’s stand-up circuit for quite some time now, though it took a number of years before he graduated to playing rooms the size of Warwick Arts Centre‘s Butterworth Hall. A deserved beneficiary of a television boost, thanks to his regular appearances on the long-running panel show Mock the Week, his relentless stream of perfectly-formed one-liners have won him a large following.
Returning to Coventry with his new show, What Is This?, Simon Amstell was back on the stage in the wake of the publication of his book, Help. With a searingly honest set, this was undoubtedly a show of two very different halves.
First up was support act Mawaan Rizwan, who entertained with a combination of songs, stand-up and clowning. In a short set strewn with some deftly-written jokes, it was hard to escape the idea that this presented a stark contrast in tone with what was to follow, but Rizwan – a talented performer who clearly knows how to work a room – was more than up to the task of providing a strong start to the show. Continue reading “Review: Simon Amstell @ Warwick Arts Centre, 7th October 2017”
Back with a new show, titled You Can’t Polish a Nerd, the science-comedy crossover three-piece Festival of the Spoken Nerd once again brought their love of nerd-dom to the stage, proving laughs and lab coats can go together.
A major entertainment form for more than a decade now, podcasts are often talked about in the same tones as the latest acclaimed TV series from HBO, Netflix..
And while there are now surely podcasts about most imaginable topics, made by people from disparate fields, comedians were among the earliest adopters of the medium and remain among the most high-profile artists producing regular shows. In both the UK and US, with traditional broadcast opportunities at a premium, podcasting is a valuable outlet for writers/performers and audiences alike.
When is a show about Brexit and Trump not about Brexit and Trump? Stewart Lee‘s latest effort was an essay on the social media-driven cultural landscape, refracted through a prism of 2016’s EU referendum and US presidential election. Set against a backdrop of cheap stand-up DVDs and an artistic framing device, Content Provider was yet another triumph from a performer who has steadily grown his fan-base in similar proportion to his critical acclaim.
His first proper show since Carpet Remnant World, having concentrated for a few years on running in material for his Comedy Vehicle TV series, didn’t merely focus on the volatile political climate, also taking in music, Game of Thrones, and the commercialisation of S&M. All were fertile ground, and Lee didn’t disappoint even on such disparate topics. Continue reading “Stewart Lee @ Warwick Arts Centre, 11th May 2017”
“To sleep, perchance to dream. Ay, there’s the rub.” Yorkshire comic and writer Rob Auton isn’t one to back down from tackling big ideas. With well-received shows under his belt which tackled water and the sky among other subjects, his latest offering, The Sleep Show, found him navigating the so-called Land of Nod, and it was a deliciously strange journey.
After a brief opening set which showcased multiple facets of his output – including a neat subversion of introductions which was further helped by the arrival of some latecomers – the sound of the Chemical Brothers heralded the start of the proper show. Part stand-up, part storytelling, part poetry, and undoubtedly high on off-kilter charm, Auton was a warm and affable presence, and his oeuvre is similarly relatable. Continue reading “Review: Rob Auton @ Warwick Arts Centre, 23rd April 2017”
Compiling a Best Of compilation is a really difficult thing to do well. In music, it can generate hours of discussion about what constitutes a band’s best songs, before you even get as far as figuring out how to make those tracks fit together as a satisfying whole to appeal to curious listeners. A similar concept for a stand-up’s work must be impossible, right?
Richard Herring has had other ideas. Taking his favourite routines from each of his past twelve solo shows, The Best is him doing what he does, well, best. An interesting experiment, it was good to hear some of these routines again in a theatre – when past shows live on only as DVD releases, and new shows are written each year to go to the Edinburgh Fringe, there’s a constant cycle of renewal at the heart of stand-up which doesn’t lend itself to enabling new fans to discover older material on the stage, only on the screen. Continue reading “Review: Richard Herring @ Warwick Arts Centre, 29th April 2017”