What does it mean to bring a child into the world? Josie Long‘s latest offering, Tender, delved into this in a uniquely touching and comic way, despite a lack of surprising subject matter, with childbirth, motherhood and climate change as the foundations underpinning it.
It’s always been the treatment of such ideas which has distinguished Long from other performers; dealing with bigger themes which audiences can relate to, but using them to make something much smaller and more intimate, surrendering the macro in favour of the micro, and zooming in onto tiny moments or fragments of thoughts and feelings – both as part of her stand-up and in her storytelling/documentary series, Radio 4’s Short Cuts. Continue reading “Review: Josie Long @ Warwick Arts Centre, 23rd January 2020”
Musical comedy powerhouse the Horne Section are set to embark on their biggest UK tour to date this spring. The acclaimed sextet, led by stand-up Alex Horne, have thrilled audiences over the past decade, at the Edinburgh Fringe and with their eponymous Radio 4 show, not to mention a star-studded TV special filmed at the London Palladium and broadcast on Dave last year.
Read a syndicated interview with Alex Horne – creator and co-host of the BAFTA- and Emmy-nominated Taskmaster, also broadcast on Dave – below for an insight into what the tour has in store for audiences, as well as more about how the Horne Section were formed, what makes them tick, and all that jazz.
It’s more than 20 years since I first encountered Danny Baker on the airwaves and the experience made an indelible mark. A famed career in front of the TV cameras notwithstanding, it was on the radio where Baker sounded – and felt – most at home, with his hugely popular shows tracing the absurdity of football and everyday life at an almost molecular level. Never had minutiae seemed more vital, or more universal.
In more recent years, Baker’s has turned his enormous skill as a raconteur to books – he’s published three volumes of his autobiography and has hinted on Twitter that there are more to come – and latterly the stage. It’s odd to think that such a masterful storyteller had never graced the boards for a full live tour prior to last year’s Cradle to the Stage outing, but its follow-up Good Time Charlie’s Back has come barely twelve months later. Continue reading “Review: Danny Baker @ Warwick Arts Centre, 5th May 2018”
Mark Steel is angry. That isn’t a new thing, as anyone who’s followed the career of the long-time Radio 4 favourite will know, but on his latest tour Steel wasn’t just irate about the current state of UK and world politics, but also had lots to get off his chest about his personal life too.
Titled Every Little Thing Is Gonna Be Alright, this show found him in a slightly different mode than usual, flitting between exasperation at what’s going on in the world and picking at the things about the modern world which confuse and frustrate him, along with tracing the decline of his marriage. Continue reading “Review: Mark Steel @ Warwick Arts Centre, 6th May 2018”
First broadcast in 2003, QI has become something of an institution. The BBC panel show which shines a spotlight on comedians’ knowledge and ignorance has been running since then with Stephen Fry and now Sandi Toksvig at the helm – along with creator and producer John Lloyd – but it’s behind the scenes where a lot of the (Quite) interesting action happens.
Gag merchant Milton Jones has been a mainstay of Britain’s stand-up circuit for quite some time now, though it took a number of years before he graduated to playing rooms the size of Warwick Arts Centre‘s Butterworth Hall. A deserved beneficiary of a television boost, thanks to his regular appearances on the long-running panel show Mock the Week, his relentless stream of perfectly-formed one-liners have won him a large following.
In recent years, stand-up and activist Mark Thomas has tended to flit between overtly political shows and more personal, theatrical flourishes, such as the deeply touching Bravo Figaro and the highly acclaimed Cuckooed. His latest effort in this sphere, The Red Shed, was perhaps the closest he’s come to merging the two strands of his recent output, being a personal voyage in political protest and recollection of the miners’ strike.
The titular shed, a Labour club based in Wakefield, celebrated its 50th anniversary last year, and this show was Thomas’ tribute to its influence and staying power throughout turbulent times. In truth, though, it was as much a reflection of the inner workings of the Red Shed as an investigation into Thomas’ own memories, notably of children in a school playground singing a workers’ anthem, and of whether his memory is accurate or a romanticised version of events. Continue reading “Review: Mark Thomas @ Warwick Arts Centre, 14th February 2017”