When is a show about Brexit and Trump not about Brexit and Trump? Stewart Lee‘s latest effort was an essay on the social media-driven cultural landscape, refracted through a prism of 2016’s EU referendum and US presidential election. Set against a backdrop of cheap stand-up DVDs and an artistic framing device, Content Provider was yet another triumph from a performer who has steadily grown his fan-base in similar proportion to his critical acclaim.
His first proper show since Carpet Remnant World, having concentrated for a few years on running in material for his Comedy Vehicle TV series, didn’t merely focus on the volatile political climate, also taking in music, Game of Thrones, and the commercialisation of S&M. All were fertile ground, and Lee didn’t disappoint even on such disparate topics. Continue reading “Stewart Lee @ Warwick Arts Centre, 11th May 2017”
“To sleep, perchance to dream. Ay, there’s the rub.” Yorkshire comic and writer Rob Auton isn’t one to back down from tackling big ideas. With well-received shows under his belt which tackled water and the sky among other subjects, his latest offering, The Sleep Show, found him navigating the so-called Land of Nod, and it was a deliciously strange journey.
After a brief opening set which showcased multiple facets of his output – including a neat subversion of introductions which was further helped by the arrival of some latecomers – the sound of the Chemical Brothers heralded the start of the proper show. Part stand-up, part storytelling, part poetry, and undoubtedly high on off-kilter charm, Auton was a warm and affable presence, and his oeuvre is similarly relatable. Continue reading “Review: Rob Auton @ Warwick Arts Centre, 23rd April 2017”
Compiling a Best Of compilation is a really difficult thing to do well. In music, it can generate hours of discussion about what constitutes a band’s best songs, before you even get as far as figuring out how to make those tracks fit together as a satisfying whole to appeal to curious listeners. A similar concept for a stand-up’s work must be impossible, right?
Richard Herring has had other ideas. Taking his favourite routines from each of his past twelve solo shows, The Best is him doing what he does, well, best. An interesting experiment, it was good to hear some of these routines again in a theatre – when past shows live on only as DVD releases, and new shows are written each year to go to the Edinburgh Fringe, there’s a constant cycle of renewal at the heart of stand-up which doesn’t lend itself to enabling new fans to discover older material on the stage, only on the screen. Continue reading “Review: Richard Herring @ Warwick Arts Centre, 29th April 2017”
Josie Long clearly enjoys a challenge. The award-winning comic set out to make her latest show, Something Better, a positive one to offset the grim reality of Brexit and Trump. While it certainly seemed the case that, based on audience reaction, she was decidedly preaching to the converted, Long’s optimism in the face of such depressing subject matter was no small feat.
A show powered by Long’s own introspection about the political climate, and how the reality is so far removed from her own ideals, clearly resonated with the audience here; a heartfelt and intelligent response to an overwhelming situation, and a dissection of her own abilities to grapple with the challenges ahead.
Continue reading “Review: Josie Long @ Warwick Arts Centre, 15th February 2017”
In recent years, stand-up and activist Mark Thomas has tended to flit between overtly political shows and more personal, theatrical flourishes, such as the deeply touching Bravo Figaro and the highly acclaimed Cuckooed. His latest effort in this sphere, The Red Shed, was perhaps the closest he’s come to merging the two strands of his recent output, being a personal voyage in political protest and recollection of the miners’ strike.
The titular shed, a Labour club based in Wakefield, celebrated its 50th anniversary last year, and this show was Thomas’ tribute to its influence and staying power throughout turbulent times. In truth, though, it was as much a reflection of the inner workings of the Red Shed as an investigation into Thomas’ own memories, notably of children in a school playground singing a workers’ anthem, and of whether his memory is accurate or a romanticised version of events. Continue reading “Review: Mark Thomas @ Warwick Arts Centre, 14th February 2017”
It seems surprising that, having been in the world of showbiz for so long, this is Danny Baker‘s first solo stage tour. But then, despite jokingly referring to the theatre as his “first love” in the tour’s promotional material, few people have perhaps been more synonymous with radio in the past 30 years than Baker himself.
Having got the idea while doing book signings, this show – titled Cradle to the Stage – found Baker on scintillating form, showcasing his fantastic wit and his rarely matched skill as a raconteur; the sort of gift which has made him arguably the UK’s finest broadcaster during his curate’s egg of a career. Continue reading “Review: Danny Baker @ Warwick Arts Centre, 3rd February 2017”