In recent years, stand-up and activist Mark Thomas has tended to flit between overtly political shows and more personal, theatrical flourishes, such as the deeply touching Bravo Figaro and the highly acclaimed Cuckooed. His latest effort in this sphere, The Red Shed, was perhaps the closest he’s come to merging the two strands of his recent output, being a personal voyage in political protest and recollection of the miners’ strike.
The titular shed, a Labour club based in Wakefield, celebrated its 50th anniversary last year, and this show was Thomas’ tribute to its influence and staying power throughout turbulent times. In truth, though, it was as much a reflection of the inner workings of the Red Shed as an investigation into Thomas’ own memories, notably of children in a school playground singing a workers’ anthem, and of whether his memory is accurate or a romanticised version of events. Continue reading “Review: Mark Thomas @ Warwick Arts Centre, 14th February 2017”