Musical comedy powerhouse the Horne Section are set to embark on their biggest UK tour to date this spring. The acclaimed sextet, led by stand-up Alex Horne, have thrilled audiences over the past decade, at the Edinburgh Fringe and with their eponymous Radio 4 show, not to mention a star-studded TV special filmed at the London Palladium and broadcast on Dave last year.
Read a syndicated interview with Alex Horne – creator and co-host of the BAFTA- and Emmy-nominated Taskmaster, also broadcast on Dave – below for an insight into what the tour has in store for audiences, as well as more about how the Horne Section were formed, what makes them tick, and all that jazz.
Mark Steel is angry. That isn’t a new thing, as anyone who’s followed the career of the long-time Radio 4 favourite will know, but on his latest tour Steel wasn’t just irate about the current state of UK and world politics, but also had lots to get off his chest about his personal life too.
Titled Every Little Thing Is Gonna Be Alright, this show found him in a slightly different mode than usual, flitting between exasperation at what’s going on in the world and picking at the things about the modern world which confuse and frustrate him, along with tracing the decline of his marriage. Continue reading “Review: Mark Steel @ Warwick Arts Centre, 6th May 2018”
Gag merchant Milton Jones has been a mainstay of Britain’s stand-up circuit for quite some time now, though it took a number of years before he graduated to playing rooms the size of Warwick Arts Centre‘s Butterworth Hall. A deserved beneficiary of a television boost, thanks to his regular appearances on the long-running panel show Mock the Week, his relentless stream of perfectly-formed one-liners have won him a large following.
In recent years, stand-up and activist Mark Thomas has tended to flit between overtly political shows and more personal, theatrical flourishes, such as the deeply touching Bravo Figaro and the highly acclaimed Cuckooed. His latest effort in this sphere, The Red Shed, was perhaps the closest he’s come to merging the two strands of his recent output, being a personal voyage in political protest and recollection of the miners’ strike.
The titular shed, a Labour club based in Wakefield, celebrated its 50th anniversary last year, and this show was Thomas’ tribute to its influence and staying power throughout turbulent times. In truth, though, it was as much a reflection of the inner workings of the Red Shed as an investigation into Thomas’ own memories, notably of children in a school playground singing a workers’ anthem, and of whether his memory is accurate or a romanticised version of events. Continue reading “Review: Mark Thomas @ Warwick Arts Centre, 14th February 2017”
Radio 4 stalwart Marcus Brigstocke returned to Coventry with his latest show which was very much an evening of two halves. This new offering, self-deprecatingly titled Why the Long Face?, focused not just on the righteous ire and satirical anger which has dominated so much of his work (though there was plenty of that too), but was also about his personal troubles of late.
Certainly, the first half of the show dealt mainly with the somewhat mixed bag of a year that’s been 2016 – one of political upheaval, the rise of fascism and myriad deaths of beloved cultural icons. Brigstocke, not surprisingly, saved much of his outrage for the subject of the EU referendum, with his pro-European rant being greeted with applause and cheers of approval, but crucially managing to fit in a surfeit of gags along the way. Continue reading “Review: Marcus Brigstocke @ Warwick Arts Centre, 3rd December 2016”
Having embarked on their first ever full tour, sketch duo Max & Ivan (Max Olesker and Ivan Gonzalez) are most likely performing to many audience members for the first time, which seems odd given how long they’ve been a key act on the British sketch comedy scene.
Despite the numerical difference, there are certainly some parallels with one of the other leading sketch acts in the country: Pappy’s. Most notably, both have a predilection for shows which bring together multiple characters and sketches into a narrative whole. Additionally, both have intangible strengths which mean their best work is on the stage, with forays into other media not working quite as well (see Radio 4 series The Casebook of Max & Ivan, which failed to live up to their fearsome live reputation). Continue reading “Review: Max & Ivan @ Warwick Arts Centre, 25th May 2016”