Compiling a Best Of compilation is a really difficult thing to do well. In music, it can generate hours of discussion about what constitutes a band’s best songs, before you even get as far as figuring out how to make those tracks fit together as a satisfying whole to appeal to curious listeners. A similar concept for a stand-up’s work must be impossible, right?
Richard Herring has had other ideas. Taking his favourite routines from each of his past twelve solo shows, The Best is him doing what he does, well, best. An interesting experiment, it was good to hear some of these routines again in a theatre – when past shows live on only as DVD releases, and new shows are written each year to go to the Edinburgh Fringe, there’s a constant cycle of renewal at the heart of stand-up which doesn’t lend itself to enabling new fans to discover older material on the stage, only on the screen. Continue reading “Review: Richard Herring @ Warwick Arts Centre, 29th April 2017”
Richard Herring is a stand-up veteran and also something of a workhorse these days. His disparate stream of podcasts and stage output in recent years has been an impressive example of productivity, not content to restrict himself to one new show every year and instead churning out hours upon hours of free entertainment for fans.
Acclaimed stand-up and podcasting king Richard Herring returns to the West Midlands next month as part of his first tour since becoming a father. His latest show, Happy Now?, sees him exploring what it means to be happy and asking whether we can ever be truly content.
Herring has often employed such personal subject matter in his past shows to great effect, with The Headmaster’s Son, What Is Love Anyway? and We’re All Going to Die being among his finest outings.