As a founding member and co-host of the Alternative Comedy Memorial Society, John-Luke Roberts is no stranger to absurdist, experimental comedy. With his radio vehicle Spats, one-man plays and his well-received stand-up, as well as formerly being one half of sketch combo The Behemoth alongside Nadia Kamil, Roberts has always played fast and loose with convention, and his current show – with its MIA-referencing title, All I Wanna Do Is [FX: GUNSHOTS] With a [FX: GUN RELOADING] and a [FX: CASH REGISTER] and Perform Some Comedy – held plenty of surprises.
The Horne Section are an unusual live proposition, simultaneously all high-kicking big band extravaganza tempered by a slightly ungainly, ramshackle approach. Led by stand-up and creator of the hugely popular Taskmaster game show, Alex Horne, the six-piece outfit brought their current show to Coventry as part of their biggest tour to date.
That confluence of silliness and deft, fiendishly clever comedy has always been evident in Horne’s solo stand-up, marrying the unconventional and the curious to much more familiar backdrops, and the Horne Section – in their live shows, Radio 4 series and last year’s TV special broadcast on Dave – have taken that even further to concoct shows of joyful wonder which would nevertheless be difficult to explain to anyone who’s not already in on the joke. Continue reading “Review: The Horne Section @ Warwick Arts Centre, 9th May 2019”
As a well-established stand-up and familiar voice on Radio 4, Lucy Porter has a very clear idea of her target audience. By her own admission, Porter has leaned into those expectations to mine subjects for her shows – described, as recounted here, by one reviewer as “middle-aged, middle class and middle of the road,” Porter is taking that rather unhelpful assessment as a compliment, and so she should.
Pass It On, her current show, took her experience of menopause as its starting point and central thread, culminating in some deftly woven routines about the change in outlook and realisations which it has led to. Porter’s on-stage demeanour, as a warm and naturally funny performer, ensured that this kind of material was relatable to the audience, making herself the butt of many of these jokes and gleefully sharing embarrassing stories such as her trip to M&S to buy new pairs of jeans. Continue reading “Review: Lucy Porter @ Warwick Arts Centre, 10th February 2019”
Nish Kumar isn’t exactly a comic who’s keen to couch his opinions in non-committal language. In his latest show, It’s In Your Nature to Destroy Yourselves, Kumar had some choice words to share with Britain, and he certainly wasn’t pulling any punches.
Dave Gorman‘s latest show, With Great PowerPoint Comes Great ResponsibilityPoint, highlighted the trajectory of his approach to comedy – or, in other words, was perhaps the most Dave Gorman-esque show he’s ever done. A logical conclusion following his many tours, radio and TV series, and especially his (now sadly ended) Dave series Modern Life is Goodish, it saw Gorman on fine form, with his usual tricks and tics in tow.
With plenty of Midlands references thrown into a heady mix of cheekiness, witty anecdotes and sublime stand-up, the latest outing from Birmingham-based comic Joe Lycett was a confirmed hit. Continuing his run of pun-based show titles, I’m About to Lose Control and I Think Joe Lycett signalled Lycett is definitely a force to be reckoned with.
Especially since winning the Edinburgh Comedy Award in 2008 (then known as the if.comedy Award), David O’Doherty has been one of the most recognisable faces on the circuit. The Irish stand-up is regularly on tour in the UK and performing acclaimed shows at the Edinburgh Fringe, and his distinctive brand of comedy – complete with mini electronic keyboard – has won accolades and attention all around the world.
Nearing the end of his current tour, with a show optimistically titled YOU HAVE TO LAUGH, O’Doherty performed a winning combination of stand-up and songs at Warwick Arts Centre, with the result being a delightful two hours in the company of him and his toy instrument-driven tunes.