Especially since winning the Edinburgh Comedy Award in 2008 (then known as the if.comedy Award), David O’Doherty has been one of the most recognisable faces on the circuit. The Irish stand-up is regularly on tour in the UK and performing acclaimed shows at the Edinburgh Fringe, and his distinctive brand of comedy – complete with mini electronic keyboard – has won accolades and attention all around the world.
Nearing the end of his current tour, with a show optimistically titled YOU HAVE TO LAUGH, O’Doherty performed a winning combination of stand-up and songs at Warwick Arts Centre, with the result being a delightful two hours in the company of him and his toy instrument-driven tunes.
Sara Pascoe‘s latest show, LadsLadsLads, was unapologetically about the aftermath of a break-up. Originally performed at the 2017 Edinburgh Fringe, where Pascoe and John Robins both delivered their own shows about the break-up of their relationship, it was much more personal than previous outings but hugely enjoyable, showcasing all of the elements which have made her voice so distinctive – intelligent, often dark, and very open.
There was an intimacy and candidness about LadsLadsLads which was quite a rare feat in a theatre of this size – covering topics such as relationships, sex and family, Pascoe revealed aspects of her life and flaws with a level of vulnerability which isn’t all that common even in stand-up, and imbued these vignettes with layers of great jokes which peeked out of the darkness. Continue reading “Sara Pascoe @ Warwick Arts Centre, 7th October 2018”
Does life begin at 50? Celebrated stand-up Richard Herring has been pondering this while on tour with his latest show, Oh Frig I’m 50, which ended with this date at Warwick Arts Centre. A sequel of sorts to his show titled Oh Fuck I’m 40, this new offering detailed how the biggest events during the past decade or so have shaped his life now, with the most momentous changes including him getting married and starting a family.
It’s a commonly held view in certain circles that those things can often lead to diminishing returns in the quality of a comic’s output, and while that may have been true in some examples Herring’s recent work has long proved its folly. The first half here was slightly more uneven, with keen observational material not always landing, but glimpses of his recognisable style, though a stronger second half of the show really took proceedings to a higher level. Continue reading “Review: Richard Herring @ Warwick Arts Centre, 3rd June 2018”
Mark Steel is angry. That isn’t a new thing, as anyone who’s followed the career of the long-time Radio 4 favourite will know, but on his latest tour Steel wasn’t just irate about the current state of UK and world politics, but also had lots to get off his chest about his personal life too.
Titled Every Little Thing Is Gonna Be Alright, this show found him in a slightly different mode than usual, flitting between exasperation at what’s going on in the world and picking at the things about the modern world which confuse and frustrate him, along with tracing the decline of his marriage. Continue reading “Review: Mark Steel @ Warwick Arts Centre, 6th May 2018”
As show titles go, Alunish Cochranish isn’t the most attention-grabbing headline you’ll see, but it is pretty accurate. In fact, it does a remarkable job of signalling what to expect from the Yorkshire-born stand-up – it’s possibly the most ‘Alun Cochrane’ show that Alun Cochrane has ever done.
What that resulted in was an hour of observational comedy – a disjointed collection of stories from Cochrane’s life, performed warmly and in his unmistakably gentle way. After being ably supported by Mike Newall, Cochrane delved into material about sneezing, the prison service, and a host of subjects plucked from everyday life, from which he’d effortlessly wring layers of jokes and relatable whimsy. Continue reading “Review: Alun Cochrane @ Warwick Arts Centre, 25th February 2018”
First broadcast in 2003, QI has become something of an institution. The BBC panel show which shines a spotlight on comedians’ knowledge and ignorance has been running since then with Stephen Fry and now Sandi Toksvig at the helm – along with creator and producer John Lloyd – but it’s behind the scenes where a lot of the (Quite) interesting action happens.
Gag merchant Milton Jones has been a mainstay of Britain’s stand-up circuit for quite some time now, though it took a number of years before he graduated to playing rooms the size of Warwick Arts Centre‘s Butterworth Hall. A deserved beneficiary of a television boost, thanks to his regular appearances on the long-running panel show Mock the Week, his relentless stream of perfectly-formed one-liners have won him a large following.
Returning to Coventry with his new show, What Is This?, Simon Amstell was back on the stage in the wake of the publication of his book, Help. With a searingly honest set, this was undoubtedly a show of two very different halves.
First up was support act Mawaan Rizwan, who entertained with a combination of songs, stand-up and clowning. In a short set strewn with some deftly-written jokes, it was hard to escape the idea that this presented a stark contrast in tone with what was to follow, but Rizwan – a talented performer who clearly knows how to work a room – was more than up to the task of providing a strong start to the show. Continue reading “Review: Simon Amstell @ Warwick Arts Centre, 7th October 2017”
Back with a new show, titled You Can’t Polish a Nerd, the science-comedy crossover three-piece Festival of the Spoken Nerd once again brought their love of nerd-dom to the stage, proving laughs and lab coats can go together.
A major entertainment form for more than a decade now, podcasts are often talked about in the same tones as the latest acclaimed TV series from HBO, Netflix..
And while there are now surely podcasts about most imaginable topics, made by people from disparate fields, comedians were among the earliest adopters of the medium and remain among the most high-profile artists producing regular shows. In both the UK and US, with traditional broadcast opportunities at a premium, podcasting is a valuable outlet for writers/performers and audiences alike.